bagley wright lecture series

This season, we're listening to the lectures of Terrance Hayes. SW: yeah, there's a gap , between Eliot's lectures and the education of general audiences and the criticism that poets read. Welcome to the second episode of Season Four of the Bagley Wright Lecture Series on Poetry podcast. MZ: I'm hearing that people seem surprised by the non-academic tone of the lectures, which I think is a good thing, because that's what we intended. Bagley Wright Lecture Series visits Tucson | Poetry Center Today well hear "Shadows Crossing: Tones of Voice Continued," originally given October 24, 2019 at the Anchorage Museum in Anchorage, Alaska. Today we'll hear "Poetry and the Metaphysical 'I'. This lecture was given October 10, 2013, at Harvard University's Woodberry Poetry Room. I don't think about it in terms of age as much as I do thinking about expanding the audience. Season 6 features lectures from the Seattle Series, an offshoot of the BWLS that ran from 2016 . This talk was originally given October 8, 2020, at Washington University in St. Louis, via Zoom. The Bagley Wright Lecture Series on Poetry Podcast Bagley Wright Some people might write more. What are the ethics of representing violence? Bagley Wright Lecture Series Jess talks about the genesis and stories behind the poems in Olio, which revisits the biographies of African American creatives from the Civil War until WW1, including Scott Joplin, Blind Boone, Sissieretta Jones, Blind Tom, the Fisk Jubilee Singers, Edmonia Lewis, Henry Box Brown, and others, and provides an opportunity to discuss history, form, geometry, resistance, and resilience via this incredibly multifaceted work. Rachel considers the history of Confessional poetry, the ethical consequences of representing real people in art, and the other great medium that has influenced her workphotographyexploring how it taught her to look for, but also question, truth and permission in art.Today we'll hear What We Talk About When We Talk About the Confessional, and What We SHOULD Be Talking About, given January 28, 2016, in partnership with the University of Arizona Poetry Center. LECTURE TOUR Saturday, February 18, 2023 Julian Talamantez Brolaski presents a lecture in partnership with The Poetry Center at San Francisco State University and Small Press Traffic. What next? and Am I allowed to do this? For more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writings, visit us at our website, www.bagleywrightlectures.org. They're familiar with Eliot's lectures but I don't think. This season, we're listening to the lectures of Terrance Hayes, beginning with today's talk: Turning Into Dwelling: The Space Between the Poet and the Poem. Hayes's lectures circle the work and life of Etheridge Knight, a poet who has been a muse and mystery (and ghost mentor) for Hayes throughout his career. I think that is true. Today we'll hear Read Red / Red Read: Putting Violence Down in Poetry, a collaborative performance with Val-Inc, given in person at the Ace Hotel Brooklyn in partnership with BOMB magazine, November 9, 2021. Eliot's in his mid-forties, let's give him this lectureship and see what he says; Borges, let's give him this lectureship and see what he says. I think that the poetry reading has become something that is very well-established in our culture and I think that it's tough to do too much with that. This talk was originally given February 28th, 2016, at the Hugo House in Seattle, WA. Douglas Kearney has long engaged the conflation of violence and entertainment in U.S.American culture, from badman folklore to postcards of lynchings. What are the ethics of representing violence? And like you noted, it's based on something that is a familiar model, but I don't think that people really think of that. Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writings. And in the course of doing so, to bring something out into the open, to other poets, their peers, younger poets, older poets, and also to audiences, poetry audiences and more general audiences: that will give audiences a way to understand what contemporary poets are doing, in a way that is deeper and more interesting than what they have understood before. Read a brief essay by Sigo, "Return to Graffiti Land," here on the BWLS blog. This season, we're listening to the lectures of Cedar Sigo, beginning with today's talk: "Reality Is No Obstacle: A Poetics of Participation." Rachel Zuckers lectures ask questions about obedience, wrongness, and decorum. DMZ Colony is available here, and at independent bookstores everywhere. His collected prose is almost all talks that he gave, transcribed talks. I would love to say that it would be to avoid cruelty. Season Four features Cedar Sigo. You can read Halebskys accompanying notes for this talk here. Whether it's visual art or film or music, there are people who are interested in culture and art, who don't really have much contact with poetry. What next? Almost everything that he came up with was part of a lecture or a talk. To break that? This season, we're listening to five lectures by Dorothea Lasky, and related conversations with experts in some of the subjects of Lasky's talks. We begin with Kearneys talk, "I Killed, I Died: Banter, Self-Destruction, and the Poetry Reading." Charlie Wright, Publisher of Wave Books, established the Bagley Wright Lecture Series on Poetry (BWLS) in memory of his late father, the businessman and philanthropist Bagley Wright. and Am I allowed to do this? I think that that's just going to happen over time. To break that? The Bagley Wright Lecture Series on Poetry Podcast. Following the lecture, Lasky and podcast host/BWLS coordinator Ellen Welcker will have a brief wonder about bees, flies, pigs, and some of the ways we might live together better. MZ: Yeah, we're lucky to be able to do it. Today's episode features a panel on Poetry & Autobiography,comprised of Joshua Beckman, Dorothea Lasky, Srikanth Reddy, & Rachel Zucker. To view additional events from this conference, visit Voca, UAPC's audiovisual archive. This season, we're listening to the lectures of Terrance Hayes. What next? In February of 2018, the Bagley Wright Lecture Series and the University of Arizona Poetry Center co-hosted a three-day conference called, "You Are Who I'm Talking To: Poetry, Attention, & Audience," featuring reading, talks, and conversations between the first six BWLS lecturers, Joshua Beckman, Dorothea Lasky, Timothy Donnelly, Srikanth Reddy, Rachel Zucker, and Terrance Hayes. Following this lecture, well hear a conversation on the innate magic of objects between Lasky and puppeteer Christopher Mullens. The series, currently in its first year, commissions poets to develop and deliver public lectures about poetry to national and international audiences. Season Eight is comprised of lectures written and delivered by Rachel Zucker during her tenure as a Bagley Wright Lecturer. Today we'll hear A Very Large Charge: The Ethics of 'Say Everything' Poetry, given February 5, 2016, in partnership with New York University. Click here to read "The Wind at Night," an essay by Sigo on the BWLS blog. SW: When you said "concept" I started thinking about pedagogy. Today we'll hear "Poetry and Photography," given March 9, 2016, in partnership with Yale University. This season, we're listening to the lectures of Cedar Sigo. Bagley Wright Lecture Series on Poetry - Facebook To break that? Rachel considers the history of Confessional poetry, the ethical consequences of representing real people in art, and the other great medium that has influenced her workphotographyexploring how it taught her to look for, but also question, truth and permission in art.Today we'll hear The Poetics of Wrongness: an Unapologia, given November 14, 2016, in partnership with Seattle Arts & Lectures. Season Seven is comprised of lectures written and delivered by Douglas Kearney during his tenure as a Bagley Wright Lecturer. Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writings. Read Nguyen's essay by the same name that accompanies this lecture, here. In 2017, Geoffrey Nutter gave a workshop & reading from his then-new collection, Cities at Dawn, (Wave Books, 2016) in Seattle at Hotel Sorrento, in partnership with The Hugo House. Rachel Zuckers lectures ask questions about obedience, wrongness, and decorum. Ellen Welcker - Coordinator - Bagley Wright Lecture Series on Poetry There's so many other examples of this. Matthew Rohrer'sshort lecture, Poetry is Not a Symbol, was co-presented by the Hugo House onMay 17, 2017 inSeattle, WA. In each of the six lectures well hear this season, Hayes uses Knight to anchor his broad explorations of poems and poetics. Beckman's lectures attempt to articulate and conjure for the listener the private and shared experiences one can have through reading and listening to poetry. In 2016, BWLS lecturer Srikanth Reddy gave a brief reading from his work-in-progress, Underworld Lit (Wave Books, 2020) in Seattle at Elliott Bay Books. Please enjoy this short reading by the author, in celebration of his now-new collection, Giant Moth Perishes, (Wave Books, 2021). But this idea that a poet would come and talk to people about how she works, why she does what she does, how she sees the world: that's less established as a phenomenon in our culture, so there's an opportunity to try to do it different ways and to try to see what happens. The Bagley Wright Lecture Series on Poetry Podcast Welcome to the first episode of Season Three of the Bagley Wright Lecture Series on Poetry podcast. Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writings. and Am I allowed to do this? MZ: I usually have a lot of conversations with the poets giving the lectures. To learn more about Vinny Carbone and his work, please visit his YouTube channel and his Instagram. That's one of many, many examples. What next? and Am I allowed to do this? That's the point. Once we put the books together, I'll start to have a much more active editorial goal. Welcome to the sixth and final episode of Season Three of the Bagley Wright Lecture Series on Poetry podcast. But ultimately, the format of the poet showing up and sharing his or her work in front of an audience of some kind: it is what it is. Welcome to the third episode of Season Seven of the Bagley Wright Lecture Series on Poetry podcast. This talk explores the role end rhyme has to play in the construction of poetic authority. Making the Black Dog Sit: A Look at Suicide Through Poetry. To break that? Dorothea Lasky's book of collected BWLS lectures, Animal (Wave Books, 2019) is here. Amazon.com: Animal (Bagley Wright Lecture Series): 9781940696911: Lasky, Dorothea: Books Books Literature & Fiction History & Criticism Buy new: $20.00 Get Fast, Free Shipping with Amazon Prime FREE Returns FREE delivery Saturday, December 10 if you spend $25 on items shipped by Amazon Select delivery location And then mainly trying to keep them focused, because these are really interesting thinkers with great ideas and once they start thinking, it's like things go My job is kind of to corral them into focus. MZ: Yeah, we'll see. Rachel Zuckers lectures ask questions about obedience, wrongness, and decorum. Joshua Beckmans Bagley Wright lectures attempt to articulate and conjure for the listener the private and shared experiences one can have through reading and listening to poetry. Following the lecture, well hear a conversation on color, between Lasky and visual artist Tiffany Patterson. Thank you to NYU for partnering with the Series for this event, and thank you for listening. But, again, I think that there is a historical example for this workingit's not like we made up this ideaso I think that there is a good reason to think that this will work. Read "'Oh, I will never get it! That said, if a poet wanted to talk to a particular audience or talk about an esoteric concept, that would be their prerogative. A Talk by Douglas Kearney: Online & Pre-taped - Seattle Arts & Lectures In that sense, yeah, pedagogical, or an attempt to talk about values. Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writings. This talk explores the role end rhyme has to play in the construction of poetic authority. But I think it's something like, T.S. This lecture was given in Seattle, WA on April 21, 2016 in partnership with Hugo House. Season Eight is comprised of lectures written and delivered by Rachel Zucker during her tenure as a Bagley Wright Lecturer. This fall we are sharing recordings of some of these events. CedarSigos lectures plumb the particulars of influence, history, tone, and formtobeget a singular autobiography of voice. Acrossthese talks, Sigo explores his childhood on the Suquamish Reservation, his coming to poetry and the dream of composition. He pays homage to a glittering constellation of postmodernist and revolutionary teachers, artists, and peers, and builds enduring and pointed questions of agency, interdependence, lineage, and transformation. In February of 2018, the Bagley Wright Lecture Series and the University of Arizona Poetry Center co-hosted a three-day conference called, "You Are Who I'm Talking To: Poetry, Attention, & Audience," featuring reading, talks, and conversations between the first six BWLS lecturers, Joshua Beckman, Dorothea Lasky, Timothy Donnelly, Srikanth Reddy, Rachel Zucker, and Terrance Hayes. 6:30pm PT, free. With Juan & the Pines, Julian released an EP Glittering Forest in 2019; its first full-length solo album is coming out this fall. and Am I allowed to do this? Jess talks about the genesis and stories behind the poems in Olio, which revisits the biographies of African American creatives from the Civil War until WW1, including Scott Joplin, Blind Boone, Sissieretta Jones, Blind Tom, the Fisk Jubilee Singers, Edmonia Lewis, Henry Box Brown, and others, and provides an opportunity to discuss Matthew Rohrer's short lecture, Poetry is Not a Symbol, was co-presented by the Hugo House on May 17, 2017 in Seattle, WA. Do you think poets have obligations at all? Welcome to the fifth episode of Season Three of the Bagley Wright Lecture Series on Poetry podcast. This season, we're listening to five lectures by Dorothea Lasky. What next? Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturers archive page, including selected writings. East Bay Media Center, Berkeley, CA. Terrance Hayes's book based on his BWLS lectures, _To Float In The Space Between: A Life and Work in Conversation with The Life and Work of Etheridge Knight_ (Wave Books, 2018) is here. Matthew Zapruder: We're always thinking about things to do and one of Charlie's interests is criticism. Rhyme is a potent locus in which the problem of believability is foregrounded. All panels and readings are free and open to the public. In February of 2018, the Bagley Wright Lecture Series and the University of Arizona Poetry Center co-hosted a three-day conference called, "You Are Who I'm Talking To: Poetry, Attention, & Audience," featuring reading, talks, and conversations between the first six BWLS lecturers, Joshua Beckman, Dorothea Lasky, Timothy Donnelly, Srikanth Reddy, Rachel Zucker, and Terrance Hayes. I want to let that happen for them. This talk was originally given October 8, 2020, at Washington University in St. Louis, via Zoom. SW: Like the Norton Lectures? How might poetic aestheticizations of brutality transform, reinscribe, or abet violence? This talk was originally given at Poets House on November 8, 2017. I wouldn't want them to feel like they have to talk to the masses, if they don't want to do that. Wave Books and The Bagley Wright Lecture Series are two separate organizations, but they do share a few things in common, like Charlie and Matthew. Please stay tuned-and subscribe-for Season Two, coming soon. Featuring recordings from the BWLS archive, in which contemporary poets explore their thinking on poetry & poetics, & give a series of lectures resulting from these investigations. Co-presented by the Hugo House, in Seattle, WA, this event took place at the Sorrento Hotels Fireside Room. But I do have hopes that this will do great things for poetry, in the way that I can look back and read The Witness of Poetry by Czeslaw Milosz as a book and I can read The Use of Poetry and the Use of Criticism by Eliot or I can read Adrienne Rich's lectures, or I can read Rita Dove's lectures. Feb 27 2023 55 mins 29. So she and I and Charlie together discuss how best to organize the lectures, and Series as a whole, to make this the best experience for each lecturer and audience. To view a few of Hayes's correlative drawings, click here. The idea is to try to put poets in the position to make that kind of work. I think it's a little unfashionable to talk that way because people immediately assume that you're saying that what you do is "better" than what other people do, or what other people do isn't as worthwhile, but we dont feel that way: Wave is a small press, we publish 8-10 titles a year. He earned a BA in Russian literature at Amherst College, an MA in Slavic languages and literature at the University From the top left: Dorothea Lasky, Joshua Beckman, Timothy Donnelly, Terrance Hayes, Srikanth Reddy, Rachel Zucker. We thought there was something so interesting about asking a bunch of poets to talk to a general audience about their interests and concerns within their own poetry and to give some people the opportunity to come up with a few new ideas when they might not otherwise do that at this stage in their careers because they're so busy teaching, or at work, or at other things. Register here. here. It's experimental in that way, I guess. Welcome to the fifth & final episode of Season Seven of the Bagley Wright Lecture Series on Poetry podcast. SW: What's the difference between a poet giving a reading of criticism versus a poet giving a reading of poetry? CedarSigos lectures plumb the particulars of influence, history, tone, and formtobeget a singular autobiography of voice. Acrossthese talks, Sigo explores his childhood on the Suquamish Reservation, his coming to poetry and the dream of composition. He pays homage to a glittering constellation of postmodernist and revolutionary teachers, artists, and peers, and builds enduring and pointed questions of agency, interdependence, lineage, and transformation. We tried to find a variety of people and variety of aesthetic approaches and again, people who are not primarily known as critics, but who we know have interesting things to say. Welcome to the second episode of Season Eight of the Bagley Wright Lecture Series on Poetry podcast. Like her poetry, the lectures are borne from a long lineage of female writers and artists who ask What now? And, as the books get published too, hopefully that will bring more attention in different ways. In each of the six lectures well hear this season, Hayes uses Knight to anchor his broad explorations of poems and poetics. I just try to be supportive and help out, talk through things with people. Thank you to the Woodberry Poetry Room for partnering with the Series for this event, and thank you for listening. Welcome to the first episode of Season Seven of the Bagley Wright Lecture Series on Poetry podcast. Rachel considers the history of Confessional poetry, the ethical consequences of representing real people in art, and the other great medium that has influenced her workphotographyexploring how it taught her to look for, but also question, truth and permission in art.Today we'll hear A Very Large Charge: The Ethics of 'Say Everything' Poetry, given February 5, 2016, in partnership with New York University. Rachel considers the history of Confessional poetry, the ethical consequences of representing real people in art, and the other great medium that has influenced her workphotographyexploring how it taught her to look for, but also question, truth and permission in art.Today we'll hear "Poetry and Photography," given March 9, 2016, in partnership with Yale University. This fall we are sharing recordings of some of these events. In February of 2018, the Bagley Wright Lecture Series and the University of Arizona Poetry Center co-hosted a three-day conference called, "You Are Who I'm Talking To: Poetry, Attention, & Audience," featuring reading, talks, and conversations between the first six BWLS lecturers, Joshua Beckman, Dorothea Lasky, Timothy Donnelly, Srikanth Reddy, Rachel Zucker, and Terrance Hayes. Am I A Fiction?: Bagley Wright Lecture Series with Renee Gladman This is a familiar problem for poets. Douglas Kearney's book based on his BWLS lectures, Optic Subwoof (Wave Books, 2022) is available here. In what way did autobiographyeither the revelation of your own autobiographical details or the consideration around autobiography as a formal consideration/forceenter into your lecture writing and giving, and how is that different from the way it functions in your poetry? Season 1: Joshua Beckman, Season 2: Dorothea Lasky, Season 3: Terrance Hayes, Season 4: Cedar Sigo, & Season 5: "You Are Who I'm Talking To: Poetry, Attention & Audience" are also available. MZ: Right. We're already learning a lot as we go along. Read Rohrer's essay, "Instead of Trying So Much, Why Don't You Just Try a Little?" and Am I allowed to do this? Season 1: Joshua Beckman, Season 2: Dorothea Lasky, Season 3: Terrance Hayes, Season 4: Cedar Sigo, & Season 5: "You Are Who I'm Talking To: Poetry, Attention & Audience" are also available. and Am I allowed to do this? Is the art something you can get better at, over time, by practicing it? Lasky's lectures explore the non-linear and highly complex relationship between language, color, time, and meaning-making, considering, for example, the I as multiplicitous shape-shifter in search of the wild power of poetry. Charlie Wright, Publisher of Wave Books, established the Bagley Wright Lecture Series on Poetry (BWLS) in memory of his late father, the businessman and philanthropist Bagley Wright. This season, we're listening to the lectures of Terrance Hayes. Welcome to the first episode of Season Eight of the Bagley Wright Lecture Series on Poetry podcast. Hear the audio that matters most to you. Details TBD. No tickets or registration is required. Douglas Kearney has long engaged the conflation of violence and entertainment in U.S.American culture, from badman folklore to postcards of lynchings. Welcome to the third episode of Season Eight of the Bagley Wright Lecture Series on Poetry podcast. Sports, music, news, audiobooks, and podcasts. In responding to the invitation to write lectures about poetics, to what extent did you attempt to tell the audience/reader about how and why you became a poet, and is this autobiography? This week, well hear Hayes give a talk called, Poetics of Liquid, a revision of ideas of ancestry and influence. Thank you to the Woodberry Poetry Room at Harvard University for partnering with the Series for this event, and thank you for listening. That's the hope. This season, we're listening to the lectures of Terrance Hayes. I imagine that the structure of what we're doing will lend itself to expanding the audience. Join to view profile Bagley Wright Lecture Series on Poetry . Rachel considers the history of Confessional poetry, the ethical consequences of representing real people in art, and the other great medium that has influenced her workphotographyexploring how it taught her to look for, but also question, truth and permission in art.Today we'll hear "Poetry and Photography," given March 9, 2016, in partnership with Yale University. This talk was given March 4, 2018 in conjunction with Seattle Arts Lectures. Click here to read Sigo's essay on the BWLS blog, "Like Someone in Love: Late Night Thoughts for David Meltzer.". Wave Books and The Bagley Wright Lecture Series are two separate organizations, but they do share a few things in common, like Charlie and Matthew. This talk includes many references to the aesthetics of photographers with whom Zucker identifies or does not identify. Friday evening, February 23, 2018 7:00 PM (Poetry Center Rubel Room). The Lives of the Poems and Three Talks (Bagley Wright Lecture Series I could be wrong. But I think the idea is to try to see what happens when an audience comes into contact with a contemporary poet and not just reading the poems-- which is one great thing that happens-- but when poets try to explicitly articulate their ideas for that particular audience. This talk was originally given March 13, 2015, at New York University. Julian Talamantez Brolaski presents a lecture TBD in partnership with The Poetry Project. LECTURES. Do you think every poet has an obligation to put their queer shoulder to the wheel? Rhyme sets up an epistemological paradox: forms and meanings seem to correlate, and thus to be true and trustworthy, but there are reasons to distrust what the poet says at lines end. Tyehimba Jess discusses his Pulitzer Prize-winning book, Olio (Wave Books, 2016). Douglas Kearney has long written about the conflation of violence and entertainment in U.S. American culture, from badman folklore to postcards of lynchings. Season 6 features lectures from the Seattle Series, an offshoot of the. That was a big moment in his career. It's a little complicated. To learn more about Asher Hartman and his work, visit his websites here and here. Welcome to the first episode of the Bagley Wright Lecture Series on Poetry podcast. That's the most famous version, but there's a lot of others. This week, well hear Hayes give a talk called, Ideas of Influence, on Knights influences and general acts of imitation. Ruskin's Storm Cloud of the 19th Century, which is a very important piece of work: that was a lecture. SW: Organizationally, how has the lecture series evolved? At around nine minutes, Kearney says, "'Miscarriages' were the sum of the takeaway that I couldnt, then shouldnt, make anyone feel what I had felt. Tarik Dobbs *** Bundle together for 40% off *** contact Hayess lectures circle the work and life of Etheridge Knight, a poet who has been a muse and mystery (and ghost mentor) for Hayes throughout his career. Bagley Wright Lecture Series (@bwlectures) - Instagram Lasky's lectures explore the non-linear and highly complex relationship between language, creativity, states of being, and meaning-making, considering, for example, the I as multiplicitous shape-shifter in search of the wild power of poetry. Optic Subwoof - Wave Books This talk was originally given June 29, 2016, at the Hugo House, Seattle, WA. Today we'll hear "#WERWOLFGOALS." Thank you to New York Universitys Creative Writing Program for partnering with the Series for this event, to Seminary Coop and the Open Stacks podcast for permission to rebroadcast this interview, and to you for listening. Dorothea Laskys lectures explore the non-linear and highly complex relationship between language, color, time, and meaning-makingconsidering, for example, the I as multiplicitous shape-shifterin search of the wild power of poetry. 8.5 Rachel Zucker: "Poetry and Photography", Welcome to the fifth episode of Season Eight of the Bagley Wright Lecture Series on Poetry podcast.Season Eight is comprised of lectures written and delivered by Rachel Zucker during her tenure as a Bagley Wright Lecturer.Rachel Zuckers lectures ask questions about obedience, wrongness, and decorum. Bagley Wright Lecture Series : Library of Congress : Free Download While reading from early drafts of Patter, a collection about miscarriage, infertility, and Matthew Dickmans lecture Making The Black Dog Sit: A Look at Suicide Through Poetry is a personal talk about Dickmans experience with suicide and turning to poetry to better understand the act of suicide. Today's we'll hear "Not Free From the Memory of Others: A Lecture on Joanne Elizabeth Kyger." How has that change affected your process, and the end result? Season Seven of the podcast includes lectures written and delivered by Douglas Kearney during his tenure as a Bagley Wright Lecturer.
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